Showing posts with label male nudity. Show all posts
Showing posts with label male nudity. Show all posts

8/11/2012

CHAIN REACTION (1996) Review

CHAIN REACTION (1996)
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I was hoping this movie would be either a porn or a documentary. It turned out to be neither. Although I'm an admitted fan of the Bel Ami boys - especially Johan - I was pretty disappointed. It's about as close to an R-Rated gay porn as you can get.
It's trying to be a documentary about a young gay's "struggle with being gay" (Can you say... Cliche?) and it is missing the mark completely. The only dialog in the movie is a British voice using an annoying echo to represent Johan's thoughts. I'm sure even the real Johan is disappointed with the "thoughts" which are more like random ramblings.
If you like looking at naked Bel Ami bodies (presented in the "Playboy Channel" style) and are willing to use ALOT of imagination, this is your film. But be warned, there are much better ways to spend your dollars and see these same bodies doing much more. These are all XXX gay porn stars. This must have been a walk in the park for them.
My advice is not to waste your time or money on this movie.

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7/30/2012

Depraved Review

Depraved
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A young couple wants to spice up their sex life until it results in someone's murder....
Nothing really too much to say about this story, except that it's probably already been done in any number of Shannon Tweed or Shannon Whirry films. I will say that it is different in that the female lead is a hot latina, which isn't common in this genre.
Being unrated it does get somewhat kinky at times, but that is more dialogue-related than actual visuals. It's got a handful of decent sex scenes, but a comparatively little amount of nudity considering. I'd say for the price it's quite a good buy for the skin collector.
It's interesting to note that they're really pushing the fact that Mario Lopez is in this film, but the truth of the matter is that he is hardly in it at all. Even though his head fills up most of the cover, he barely even has a supporting role in this movie. Why they think that his name is a cash cow is beyond me, but he is technically the "biggest star" in it. Funny people, those Hollywood marketing "geniuses".

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6/20/2012

In Praise Of Older Women Review

In Praise Of Older Women
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In this movie, a young Tom Berenger portrays a young man in Post-World War II Hungary who falls in and out of love with numerous older women. His character's infatuation with older women begins as a child during the war, when he loses his virginity to a middle-aged prostitute. From there, he moves to Budapest to go to college, and moves in with an older woman, portrayed by Karen Black. They fall in love with each other. Then the woman's best friend, portrayed by Canadian stage actress and artist Marilyn Lightstone, joins them in social events. Eventually, Ms. Lightstone's character seduces Berenger's character, and in a memorable scene of seduction, she entices him to have sex with her on the living room floor. But Ms. Black's character catches them in the act, and she breaks up with Berenger's character and kicks him out. Berenger then falls in love with a female resistance leader during the 1956 Hungarian Crackdown by Russian troops and tanks. She departs for deep cover, and Berenger's character emigrates to Canada. It is there that he begins a relationship with a woman more closer to his age, portrayed by a young Helen Shaver. Eventually they engage in a erotic strip scene before having sex together. But they end up breaking up also. At the end of the film, Berenger is now a teacher, who sets up a date with a younger female student, and the film ends. The eroticism is very good in this film, but it leaves you wanting more. For me, Marilyn Lightstone, despite her little screen time, stole the spotlight with her eroticism and her sexy body. Helen Shaver shows that she is willing to put out in a movie, also. She would go on to even greater levels of eroticism in the movie "Desert Hearts". Unfortunately, Tom Berenger never lived up to the potential to be a "leading man" actor that this film showed promise of when it was made. Instead, he was confined to character roles, such as in the movie "Gettysburg". But this film gives the viewer a glimpse of what Tom Berenger could have been had mainstream Hollywood had given him his chance to shine.

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The controversial, ground-breaking film based on the best-selling novel by Stephen Vizinczey
Andras (Tom Berenger) has always been surrounded by sex. After spending his teenage years procuring prostitutes for soldiers, he meets Maya (Karen Black), an older married woman, who teaches him about lust and desire. As Andras grows more experienced, he continues to pursue older women, learning more about life with each erotic conquest.
BONUS FEATURE: Making-of Featurette

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6/12/2012

Straightman (2000) Review

Straightman (2000)
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A rare find in today's film world "Straightman" shines as an independent film. While the film was done for very little money and it does show the movie works incredibly well on an emotional level. It also breaks new ground in the world of gay cinema in that it is one of the few films that deals with older men who are very blue collar. (why do 99% of gay films deal with impossibly beautiful young men?)
The story traces the friendship of two friends after their breakups with their girlfriends. After moving into together one begins to explore his gayness. This takes the friendship on some interesting turns especially when dealing with the first romance and heartbreak. While the plot is thin at times the film really is more of a character study between to friends as they come to terms with growing and changing. There are too many things to say as downsides to the film other than to point out some of the problems due to budget constraints - i.e. some minor sound and lighting problems. Over all I would say this is must see film.

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Jack and David are good friends, so when both are dumped y their girlfriends, they move into an apartment together.David looks forward to their shared bachelor life.Then Jack works up the courage to come out to his friend.Things change.How these two different but similar men deal with that change and how their friendship and their other relationships fare in the midst of it all is the heart of this authentic and sharp humored film.

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6/07/2012

Coopers' Christmas Review

Coopers' Christmas
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Coopers Christmas is one of those films you either love or hate. Being a film viewer who loves the offbeat productions (Man With the Screaming Brain, Bride and the Gorilla), this one is alright.
Films of this genre often hit and miss in the same scenes. This film is like that. It is both funny, vulgar, and crude at the same time. The 1985 family christmas of the Coopers goes awry when Uncle Nick arrives to spend the holiday with them. Christmas turns from fun to fanatic. There is physical comedy, dirty comedy, and innuendo. Much like Cheech and Chong, the comedy works at many levels.
One key element of the film is the VHS video camera. Having been filmed from an early age by our father in 8 mm, VHS, then beta, hi 8 and now digital 8, you just can't replace the first family videos as much as you might like to.
The film stars Samantha Bee, Jason Jones, Dylan Everett, and Mike Beaver. Some film casts just work well.
If you are fans of National Lampoons' productions, then you will like this one.
Tim Lasiuta


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3/19/2012

Sex Machine (2007) Review

Sex Machine (2007)
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Crickets is a theme here in the way that wine acts in "Sideways." I had seen the cricket in "The Last Emperor," but I wonder if the animal symbolizes something in the East. If so, they didn't explain it here.
The film is raunchy, but that has more to do with positions than with naughty bits. Many people say comedy is culture-specific. Remember that Jackie Chan admitted he had no idea why American audiences like the "Rush Hour" franchise. However, I understood most of the humor here. By the end of the film, I didn't understand one aspect of the plot and the way it was filmed was poorly done. There is some girl-girl action near the end that many viewers will like, but if you think hard, it has nothing to do with the storyline. It's purely there for eye candy.
This did have some jokes that American audiences would have seen in "There's Something About Mary" and Jenny McCarthy's film. Still, I was entertained enough by this. Timewise, this film was much shorter than your average American film, so even if you despise it, it doesn't last long.
Most sex comedies are not Oscar-worthy, so if you go in knowing this is not "On Golden Pond" or whatever, then you may have a decent time with the piece.

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2/17/2012

Blackmail Boy (2005) Review

Blackmail Boy (2005)
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Blackmail, murder, infidelity, subversive desire, it plays out just like a Greek tragedy, and who better to make a film about these subjects than the Greeks! The critics ravaged this melodrama when it came out the end of last year, but I must confess that kind of enjoyed it. Of course, not once is the film remotely realistic, and Michalis Reppas and Thansassis Papathanasiou's film is often crude and trite, but this totally over-the-top story is never dull and young Greek actor Yannis Tsimitselis provides some great eye candy.
When he was a boy a car accident left Christos's sister dead and his comatose father dependent on a respirator for the rest of his life. Now his father serves as something of a Greek chorus observing his money-starved family self-destruct from his corner of the house: his wife Magda (Nena Mendi) is not only sleeping with their tightfisted daughter's husband, Stelios (Alexis Georgoulis), but also appears to be conspiring with him to steal money and land away from a local businessman Giorgos (Akyllas Karazisis).
When Christos (Tsimitselis), walks into a room everyone notices him, he's a sulky pretty boy who works in the bakery belonging to Magda and zips around his provincial town on a motorcycle. He needs to move fast because he's juggling affairs with Fay, a pretty dance instructor, Gia (Joyce Evidi), a fixated older divorcée, and the manipulative Giorgos, who has a wife and two sons, but is actually closeted.
Christos can't keep the hectic pace up for long, and it eventually all comes to a climax, there's a complex web of sexual liaisons and real estate finagling, with a payoff that comes as a shock when the real blackmailer is finally revealed. The sexual scenes - particularly between the Christos and Giorgos are a bit tame, especially when you consider that the scenes between Christos and Gia are far more graphic. But the real scene-stealer and the one with the most laughs - is when Magda begins to give her son-in-law oral service, just as her daughter and his wife is arriving home.
Of course after about an hour or so all this amorality does get a little too hard to follow - there's the matriarch who is sleeping with her daughter's son, who is blackmailing his brother-in-law, who is having an affair with both an older woman and an older man, the latter of whom holds the key to a business venture, which is being manipulated by Magda, who ... well you get the picture. Whether you like Blackmail Boy will depend on your propensity for suffering through soap opera and unabashed amusing melodrama. For the most part, the action is just too preposterous to be taken seriously, but it's still fun to watch. Mike Leonard April 06.


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1/21/2012

Gotham (1988) Review

Gotham (1988)
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This is one of my favorite movies, and it's a mystery to me that it isn't more popular. I am waiting patiently for it to appear on DVD - I already have it on laserdisk.
Virginia Madsen portrays the dead wife of a wealthy man who has hired Tommy Lee Jones (a barely-competent private eye), to get her to leave him alone. Jones plays along with the wealthy client, whom he assumes is a nut case, because he needs the work. As things develop, Jones starts to fall in love with Madsen.
Gotham is an extremely stylish detective/ghost story that includes Virginia Madsen's best acting performance. She should have won an Oscar for her performance here. Her piercing eye contact with the camera at the very end of the movie is both hypnotizing and electrifying. There are many other scenes that really take your breath away - like when she listens to a street musician sing "Danny Boy."
This movie gets my strongest recommendation. If you are a fan of Virginia Madsen, you MUST have this movie.

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11/15/2011

Kalifornia (1993) Review

Kalifornia (1993)
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Not only is this a completely entertaining flick, but I just discovered a cool tidbit. Brad Pitt, Juliette Lewis, David Duchovny and Michelle Forbes stop at several points on their crosscountry tour, and the movie provides little "captions" ala "X-Files" from time to time. Six minutes in, they arrive at BRADbury Textile Warehouse in PITTsburgh, Pennsylvania. Twenty-seven minutes in, they're at Novak Farm in FORBES, Tennessee. Then at one hour and six minutes they get to LEWISton Abattoir in Mt. JULIET, Texas. And my favorite, one hour 22 minutes in, they finally arrive at DAVIDson Mine in DEW COVE, NEvada. I know this isn't really a review, but it is so damn cool that I just had to share. Enjoy!

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Excitement, adventure and unimaginable terror await on the road to Kalifornia. "Brad Pitt isoutstanding" (Rolling Stone) and "Juliette Lewis is utterly, heartbreakingly convincing" (Boxoffice) in this chilling psychological thriller co-starring David Duchovny and Michelle Forbes. When urban intellectuals Brian (Duchovny) and Carrie (Forbes) set out on a cross-country trip to research a book about serial killers, they share the ride with a couple they barely knowEarly Grace (Pitt) and his girlfriend, Adele (Lewis). Locked in a car hurtling westward, the four travelers struggle to find some common ground. But when they finally do connect, Early's violent nature abruptly emerges, and the terrified Brian and Carrie realize that they don't need to go very farto learn about ruthless killers...because they're already face to face with one!

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8/22/2011

Shank - Unrated Director Cut (2009) Review

Shank - Unrated Director Cut (2009)
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The film, "Shank" was one of the offerings at the 14th Annual Gay and Lesbian Film Festival at the Carolina Theater in Durham, NC from August 13th through August 16th, 2009. It was not an easy film to watch because it depicted gang members who spent their days drinking and using drugs and filling their nights as a group picking out gay men who happened to be alone and defenseless, beating them senseless just for fun. In that gang was a young man named Cal who was a closeted gay man fighting it with everything he was worth. The problem was, he was in love with the defacto-leader of the gang, so much so that the desires he felt had bubbled up from their depths and in spite of himself, he found himself seeking out ways to meet those needs with strange men. The tightrope he had to walk was this: meet those desires but at all costs never let the gang discover he was doing it. He was so conflicted that after he would give in to his desires, he would become physically sick and woe to any man who happened to be his pickup if he assumed after the incident that Cal was gay.
One night, the prey that the gang selected for their gay bashing was a young college student and before the beating completely got out of hand, Cal stopped it surprising both the gang members and the victim, as well as himself. The victim, Oliver, was so thankful to Cal for saving him, he brought him home and treated him nicely giving Cal his first opportunity to have a decent relationship. But, the gang members couldn't let Cal drop out of the gang. That would be treason and would require revenge, so as each day passed they planned and plotted to win him back, but that was before they discovered his secret. When they found out what Cal had been up to, pay-back was required and a scheme that would outrank anything they had ever done began to take shape.
Again, it was not an easy movie to watch but we need to see these kind of films to be reminded that there are places in this world where gays and lesbians are not safe without others to back us up. And don't be fooled that America is exempt from this hatred (it has only been a few short years since the incident of Matthew Shepherd occurred). Many hate us and would rather see us dead or never born than to see us walking around gay and proud.
But, back to the film itself and what I think made it not just a good movie but a great one. Near the end of the film there was a scene where no words were spoken. Two actions were taken by two of the characters in the film one of which was a request for forgiveness and the other was a granting of that request. The scene simply accomplished what the most elaborate words could have never achieved. It was a scene that will live forever in my memory. Rent the DVD when it comes out in October and see if you can pick out the scene I'm talking about.


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Shank is a blistering British indie pulsating with untamed sexuality and aggression. Cal (Wayne Virgo) is a handsome teenage thug so desperate to hide his gay cravings from his fellow gang members that he binges on drugs, secretive anonymous sex and acts of violence. But the bad boy s secret desires are uncovered when he rescues a kind-eyed French exchange student from one of the clan s sadistic hate crimes. Though the two boys fall passionately in love, Cal s crew is bent on revenge for his betrayal and the young lovers are placed in unspeakable danger. Unapologetic and as poignant as it is shocking, Shank is a must see...

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8/07/2011

Irreversible (2002) Review

Irreversible (2002)
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After witnessing the nightmare of Gaspar Noe's "I Stand Alone," a movie that left me in open-mouthed awe for days afterwards, I just knew I had to see "Irreversible." I am not a big foreign film aficionado, not by a long shot, but Noe's films are worth watching simply because they are deeply disturbing jaunts into the darkest recesses of the human psyche. He's not above showing life as it really is, and he does it in ways that make you laugh at the cleverness of the presentation even as you cringe in disgust at the subject matter. In other words, his pictures are right up my alley. I always love to watch cinema that challenges the viewer on some level, something rare indeed in an age of the American special effects laden summer blockbusters. That doesn't necessarily mean I always like these types of films; oftentimes I don't when the fine line between challenging and pretentiousness is crossed, but Noe's stuff is great because it is premium grade weirdness. "Irreversible" will remind many viewers of the American film "Memento," except Noe's film is darker, oh so much darker, than that movie.
"Irreversible" flows backwards, with the closing credits opening the film and each scene shown from the end towards the beginning. Right from the start, you know you're going to see something different. Boy, are you ever! A sex club with fleeting sounds and images of pornographic behaviors, a sickening scene of a human head being bashed in with a fire extinguisher, and an arrest quickly start you wondering about what it all means. As the film progresses (regresses?), we learn why one man killed another in that seedy bar. Alex (Monica Bellucci), a rather carefree soul, was brutally raped and beaten by a thuggish French pimp in a subway tunnel. Her boyfriend Marcus (Vincent Cassel) promptly had an emotional meltdown when he discovered what happened to his lovely woman. Full of seething rage, he goes on a rampage through the city looking for the man who maimed Alex. Along for the ride is Pierre (Albert Dupontel), Alex's former boyfriend who desperately attempts to rein in Marcus's reckless quest for vengeance.
Surprises abound in "Irreversible," surprises that will leave you thinking about the film long after it ends. I was a little amazed I figured out how the film concludes (begins, actually) long before I got there. You just knew there had to be some big, explosive revelation that would give Alex's victimization even more pathos. Well, there is and it's quite shocking. In fact, it would have worked almost as well had the film been shown in chronological order. Since Noe chose to reverse the sequence of the scenes, he not only retains the film's shock value but also imbues it with a frequently recurring sense of "what if." If only Marcus had paid more attention to his wife at that party. If only Alex had listened to Pierre and not gone out alone in a dangerous neighborhood. If only, if only, if only. You get the idea. This sense of identification gives the movie its edge. We've all done the same thing, asked the same questions, after a personal tragedy. I know I have.
What shocks even more are the things Gaspar Noe can get away with showing in a French film. The French have little problem with overt pornography, morally repugnant violence, and lengthy discussions on the most intimate details of sexual relationships. Sure, American films are violent and sometimes crass in their discussions of sex, but not like the French films I have seen lately. I can't imagine any mainstream film made here that would show a rape sequence that runs for nearly ten minutes, or the weird goings on in a club. If you have a serious problem with any of these issues, stay far, FAR away from "Irreversible." For that matter, stay just as far away from Noe's "I Stand Alone," a movie that shows in gruesome detail a murder/suicide. I will say that the filmmaker does not in anyway attempt to glorify the vicious acts of cruelty and barbarism he depicts in his movies. That doesn't mean it makes these incidents any easier to watch, however.
"Irreversible" is a shocker on many levels, a film not suited to a majority of the movie going public. It's not the sort of movie you would take a date to, or watch with members of your family unless you're a member of the Manson family. It should go without saying that Noe's picture is not suitable for young children. I recommend watching "Irreversible" alone so that it becomes a personal experience. I don't know what Gaspar Noe will come out with next, or if he'll ever make another film again, but I want to see it whatever it ends up being. If you haven't seen "I Stand Alone" before watching this one, make sure you see it soon. Fans of this type of cinema should also check out "Baise-Moi," another French film filled with even greater amounts of nihilism and despair than this one.

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7/19/2011

I Love You Phillip Morris (2010) Review

I Love You Phillip Morris (2010)
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"I Love You Philip Morris" tells the real life story of Steven Jay Russell, who in 1998 received an unprecedented 144-year prison sentence for fraud, conning, impersonating, and multiple escapes from Houston's Harris County Jail. The film shows us sequences that seem utterly impossible, but in fact actually happened, which only goes to show that truth really is stranger than fiction. No, I will not describe them to you. Enjoying the film depends on the audience's reaction to Russell's actions. It's a little like a magician revealing his secrets; the trick itself is a lot of fun, but seeing what went into making the trick work can be quite fascinating, especially when you realize just how much effort goes into making something look simple. The apparent ease with which he executes his schemes is equally mind boggling.
Jim Carrey's portrayal of Russell is a delightful bag of contradictions. He's funny but touching, exaggerated but believable, contemptible but justified, caring but manipulative. There are times when it seems like he's thinking of no one other than himself, and there are other times when it's clear that he does what he does out of love. It's a daring, complex performance, and it's for reasons other than the fact that his character is gay; it establishes that Carrey is capable of something deeper than outlandish personalities and extreme physical comedy. His take on Russell is engaging, although it's not necessarily understandable. This isn't a criticism. Sometimes, it's preferable for audiences to figure out characters for themselves, for them to put their own spin on why certain people are they are way they are.
We're given a small glimpse of his childhood, in which he learns that he was adopted. We then flash forward to his early adult years; he's married to a woman who's a bit too religious and perhaps a little ignorant but sweet nonetheless, he has a delightful daughter, and he's the manager of a Texas food service company. But after surviving a car accident, he decides to live his life as an openly gay man, and he leaves his family behind for Miami. It's there he realizes that living a gay lifestyle is more expensive than his salary as a sales manager will allow. So he does what any man vowing to live authentically would do - he becomes a conman. After relatively simple schemes like feigning slips and falls in public places, he plunges headfirst into various types of fraud, including credit card, passport, and insurance. He even sells bad tomatoes.
Unfortunately, his crimes catch up with him, and he's arrested and sent to jail in Texas. He learns the ropes quickly; everything essentially boils down to a choice between paying someone off, learning how to fight, or giving someone oral sex. He knows who to talk to and where to guide someone should they need something. He spends all his free time in the library, where he reads nothing but law books. Into his life enters Philip Morris (Ewan McGregor), a soft spoken gay man who was tried and convicted for theft of service. He wants to see if there's a legal way to help an AIDS patient lying in the infirmary. Russell lies and tells Morris that he's a lawyer. The two immediately hit it off. Over the next few weeks, they form their own little slice of heaven in a jail cell, oblivious to the yard beatings and the cell searches.
At this point, I'm going to stop describing the plot, for I want you to be surprised by the lengths Russell will go to be with Morris. I will say that what the film, in its own offbeat way, is surprisingly sweet. Glenn Ficarra and John Requa's screenplay, based on Steve McVicker's book "I Love You Philip Morris: A True Story of Life, Love, and Prison Breaks," reveals a delicate and finely crafted balancing act between humor and drama; it's funny, though it never resorts to desperate slapstick or gross-out vulgarities, and it's heartfelt, yet it steers clear of broad, contrived sentimentalism. It's bold and appealing - a romantic comedy that refuses to follow the rules of a romantic comedy.
Apart from Carrey and McGregor, I was pleasantly surprised by Leslie Mann, who appears briefly but is no less important as Russell's ex-wife, Debbie. Even after learning that he's gay, even after they get divorced, even after he gets sent to jail, the two remain on fairly good terms. This is amazing coming from a woman perpetually hung up on what the Lord does and does not intend to have happen. She believes that Russell is a man who doesn't know who he is and is always searching for something. I guess that makes sense. Why else would he be so reckless in his attempts at pretending to be what he isn't? Part of what makes "I Love You Philip Morris" such a good movie is that it presents Steven Jay Russell without forcing us towards any definite conclusions about him. True, he may be serving an unusually long jail sentence (in solitary confinement, no less), but you have to admit, he is a romantic.

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Jim Carrey stars in the 'outrageously funny" (Rolling Stone) true story of a spectacularly charismatic con man's journey from small-town businessman to flamboyant white-collar criminal, who repeatedly finds himself in trouble with the law and on the lam - all in the name of love. Costarring Ewan McGregor, I Love You Phillip Morris is an unbelievably true comedy that's being called 'the best performance of Carrey's career" (Village Voice).

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